Session 2 – It’s Not A Sewer

Session two of Hoard of the Dragon Queen went swimmingly. As usual, information pills There Will Be Spoilers.

The players had just arrived in the keep, and were immediately asked by Escobert the Red to help out with their efforts. Being significantly more capable than the rank and file garrison soldier (even at level one), the adventurers were asked to head out and harass the raiders and/or bring back as many townspeople as they could to the (relative safety) of the keep.

Before they got their gear on, however, a scout reported to Escobert that the town mill was under assault. Being the slaves to carbohydrates that they are, this would strike a devastating blow for Greenest’s nascent toast industry, so Escobert re-routed the players to go save the mill (and bring back some bagels).

Problem: There’s a nasty hoard of cultists outside the front gates. Solution: The builders of the keep thoughtfully created a secret tunnel beneath the keep that runs south to the river. It was built to allow people inside the keep to get fresh water, should the keep be under siege. This seemed like one of those times, so Escobert gave the players two keys: one for the door in the basement on the keep-end, and one for the grate at the river end of the tunnel. He left them with one bit of advice: don’t let anyone see you using that tunnel, or everyone in the keep would be screwed.

What’s funnier than a party of five in which four members have Darkvision, but the drunken cleric doesn’t? Not much. The players leapfrogged through the single-file tunnel until they met up with a Swarm of Rats, who turned out to be nothing more than a speed bump on the way to the rusted grate at the end of the tunnel.

Someone decided that the dwarven fighter would be the one who had the best chance of using the delicate key in the rusted lock. Murphy, god of hilarious outcomes, was on duty that night, as the dwarf applied just a bit too much pressure and snapped the key in the lock. Cue the sad trombone.

In one of those moments that makes a DM proud, the Bard used Prestidigitation to remove the rust from the grate, and the Cleric used Mending to repair the key. This allowed the party to open the grate silently (no more rusty hinges!) and surprise a cultist party that was scouting the riverbanks.

Sadly, the distance between the party and the raiders was pretty large. The elven ranger managed to snipe a few kobolds as the monk — hitherto refered to as “some random guy who’s been following the party this whole time, but otherwise not really doing much” — was the second one out of the tunnel. Seeing an opportunity to show he was one of the guys, he Dashed into the fray, only to be the first semi-casualty of the campaign. The dwarven fighter took time out of her busy schedule of cutting humans in half with her battleaxe to stabilize him, and the Cleric eventually helped him get his groove back. The bard — know nicknamed “Pottymouth” — spent the night debuffing the enemies with Disadvantage through Vicious Mockery, calling into question everyone’s parentage, and generally harshing the cultist’s mellow.

The problem, though, is that after the battle the party realized that this wasn’t even their main mission. Spells were spent. Damage was taken. And they still needed to get to the mill and stop the raiders from burning it to the ground.

Quote of the night: After the Cleric announced his intention to use Blessing of the Trickster on the Ranger (which required a laying on of hands): “Show us on the character sheet where the Cleric touched you.”

*   *   *

This was a good session. I could see that folks were getting into the situation and contemplating the potential outcomes. The cleaning of the grate and the repairing of the key took me by surprise, but both were well within the parameters of ability and saved the party from noisily destroying the grate, which would have allowed the cultists in the river to gain Surprise to ambush the players. One bullet dodged!

Before the session, I was in Roll20 setting up some maps. Nothing fancy: I’ve started relying on R20’s drawing options to create the scene, which is totally 1/2 assed. It’s not optimal, but I realized that I didn’t have a tunnel map, nor did I have time to make one. I also spent time setting up the mill using the drawing tools, but with another week to prepare, I’ll revisit that and see if I can’t make something better looking.

Two things of concern from the DM side: The river encounter included 2 cultists and 6 kobolds. Ideally, we would have winged it like we did with the first kobold encounter, but there were too many enemies to keep track of. I placed them on the map intending to just use them for reference, but the encounter instantly morphed into tactical combat. It took a while to complete, leaving us no time to actually get to the mill scenario — the actual point of leaving the keep. The second issue is that of scale. I’ve been playing fast and loose with this, starting on the map of Greenest at 30′ per square, which makes sense for a town map. In actuality as I write this, I remember that in the settings for the map in Roll20, there’s actually a scale setting — and each square represents 5′ by default. This would have SIGNIFICANT effect on all kinds of things movement and distance related, and I’ve dropped the ball in keeping this consistent. I’ve built the mill map with the 5′ square standard, but I treated the river encounter squares are 30′, which is total BS on my part. Going forward, all encounter map squares will default to 5′. Larger overland maps will need to have their scale adjusted to simulate travel time.

And finally, I have to say, Realm Works paid for itself last night. Having the mission in bullet point form allowed me to skim quickly for information, and the hyperlinks to monster stats was a godsend. I’m totally sold on Realm Works as a gaming tool.

Realm Works from Lone Wolf Development

I’m a fan of getting shit together. Judging my my self-assessed performance last session on Hoard of the Dragon Queen, no rx I need to step up my organizational game when it comes to preparedness.

RealmWorksI found Realm Works from Lone Wolf Development (makers of Hero Lab) when I was cruising around the net looking for RPG resources. Now, healingswear by Fantasy Grounds, pharm which is excellent for creating brand new modules and campaigns, but I need something to allow me to just take notes of important aspects of the different sections of each episode in HotDQ. I can get the long winded low-down by reading the book, but sometimes things double back on plot points, so when I reach further in the campaign, I realize I’ve flubbed an important part by not having read ahead, or done some rather slick RP that ends up not fitting into the narrative. So reading ahead and taking notes and organizing plot points so I don’t run over my own foot is something I really need. I could use regular pen and paper, but with the need to cross reference and get speedy access to stats and other characters at the point in time where they’re needed, having a technological method should help a lot.

Realm Works is like a massive wiki, but also not. It’s a three ring binder, but which provides tabbed dividers that you can fill with whatever you need. It’s not really a great campaign creation tool, although with a big shoehorn you could get it done; Fantasy Grounds is far superior in this regard. RW is like a three ring binder of index cards, then: you supply a lot of one-liners that describe what you need: “King Gerald is having an affair with the ambassador from Luretia”, or “The players will be watched as they attend the opera”. Using dedicated, structured sections, a GM can fill out a few lines with shorthand info that makes it good reference tool for quick information.

The UI is pretty daunting, however. While very flexible, it doesn’t allow for custom layouts. Information is presented in a list format, divided by headers and sub-headers. Sometimes labels are present, sometimes they aren’t. Everything is initially entered in a one-line textbox that expands as you need it, unless it’s numeric or special case data. Naturally, there’s integration with Hero Lab (which I don’t own) for NPCs, and you can also “embed” maps, external documents, and even audio and video (I think). The best part is that you can create or modify existing structures as needed. For example, I created a “template” for a D&D 5E monster/NPC which contains all of the info I need. I just fill in the form and save the record, and that creation is available for reference when I need it. The best part is that all I have to do is use the name of a record in the body text of a field, and RW will offer potential matches to other known records, automatically creating hyperlinks between the two.

All of the reference material constantly talks about how RW is a GM tool for creating and managing campaigns, and that a player edition is forthcoming. RW is not a virtual tabletop. However, it does allow a GM to reveal information to players on a record by record basis. For example, amidst everything listed about the King, the line above about him having an affair could be released to the players on it’s own. This way, the GM can push out just what the players learn as opposed to dumping everything at their feet (including maps and such). I have no use for this whatsoever. I can see how a party in agreement might pick up RW and the upcoming player versions ($9.99 per individual license is the current, proposed MSRP for the Player Edition), and how it would work well for folks not needing or wanting a vTable, but I have to circle back to the UI; it’s just not all that appealing. It’s functional, and I cannot think of any way to allow for the flexible management of data that RW is aiming to handle, but…yeesh. The gaming group would need to just spend a few sessions doing dry runs to ensure that everyone knew how to use the software properly. The benefit is that anything shared with the players goes into their personal dossier, so they can refer back to info they learned without actually having to meta-memorize it. That has a lot of merit.

From my perspective, though, as an organizational tool, it works great…when it works. It just completed a KS campaign, and the tool itself is widely available, although admittedly incomplete. There are a few things remaining on their to-do list (which can be found scattered around the forums). One thing that needs some work is their SimCity-esque design choice to authenticate and sync data to “The Cloud”. See, in order to get the data from GM to players, LWD requires that users A) create an account on their server, and B) connect to “the cloud” to create a new campaign (which they call a “realm”). Then, and only then, you can either sync the realm to “the cloud” once changes are made, or work offline and sync when you damn well please. When I bought the software, I couldn’t create an account. I tried several times over two days. I finally uninstalled it and re-installed it to the suggested directory on my PC (I normally put everything on a platter drive to keep my SSD as lean as possible), and I was able to register. That’s correlation and not causation, so do with it as you will. Then, however, I tried to create a new realm — create a new file — and I was denied because of a connection error when trying to sync the new file to their server. While I can see the appeal of having data like this in “the cloud” — it’s actually one of the things that sold me on this product, being able to sync between stations without Dropbox or something similar — LWD’s infrastructure is experiencing some issues that, due to design choices, makes the program a virtual paperweight when it experiences issues (in honesty, only when you sign in, or create a new realm, not if you want to work offline and un-synchronized, which works just fine).

I think that maybe RW is overkill for what I need, or maybe it’s because the unflattering UI makes it seem less worthwhile than Fantasy Grounds, Evernote or OneNote, or just good old Google Docs, but once you get over the learning curve and adapt to the clunky visual representation, Realm Works is a great organizational tool which should help speed up a gaming session for the GM.

Hoard of the Dragon Queen Session 1 #DnD5E #HotDQ #AdventureCo

We had our first night with the new Dungeons & Dragons Fifth Edition rules last night, web and overall things went well. You can expect a write-up over at West Karana in the near future, but I’d like to numerate the perspective from the DM side here.

Note: This post may contains spoilers for those who haven’t played the Hoard of the Dragon Queen module. I’m only doing recaps to the points we reach during our sessions, so if your party is ahead of ours, read on. If not, then proceed at your own risk.

The Intro

As I wrote earlier, I concocted a story on how the players met up. The HotDQ opened with the caravan cresting the rise outside of Greenest, only to find it on fire, under assault, and under aerial surveillance by a large blue dragon. The caravan opted to beat cheeks in the opposite direction, but the players — in true heroic fashion — opted to run towards danger.

The module is very keen on ensuring that the players understand that the town is pretty much intact, but chock full of kobold and human invaders. The result is supposed to be that the players should exercise caution when moving through the town, as the invaders are everywhere, and the chances of running into an enemy party are pretty high. If players opt to just walk in to town, there’s a higher chance of getting into a fight than there is if they opt to sneak into town.

These players went right down the middle: they didn’t walk down the street, but they didn’t bother to hide. Instead, they crept through the forest. Although using stealth would have made them less likely to be seen, I partly opted to acquiesce to the idea that at night, it’s difficult to see into a heavily wooded area. Even kobolds with darkvision would have problems, since the woods are on the periphery of the town, and the town is alight with burning buildings. The result were fewer chance encounter rolls that were required for the “strolling down Main Street” approach.

Costume Party

While in the forest, the party bard — in what can only be described as the weirdest episode of precognition ever — remembered that she had a “kobold costume” in her pack. Being an entertainer means never having to explain your weird inventory, so she donned the costume and flagged down some passing kobolds while the rest of the party hung back in the woods. This diversion allowed the party ranger to put an arrow through the face of one of the kobolds, and although still far off, the party managed to take out two other kobolds and a human mercenary without issue.

This was a totally ad-hoc encounter, and had a few issues (all my fault). First, the kobold costume should not have worked. Had the encounter been with a group of humans, it would have been excused. But kobolds A) have darkvision, so up-close they could probably have seen something was weird, and B) kobolds are dragon-dog-creature-things; they should have been able to catch the scent of this “kobold” and been on immediate defense. Second, the encounter was way too easy. 3/5 of the party never really made it into the fray: two kobolds were killed at range, the human was cleaved in two with a battleaxe, and the last kobold…he was charmed, and was subsequently gutted without a fight. The problem here was that A) I didn’t play “the situation” properly, because with so many invaders, the kobolds should have detected the ruse, gone defensive, and flagged down more kobolds to reinforce them, and B) the kobolds and their human mercenary flubbed all of their rolls, and went down like a balsa-wood houses in a wind storm. I’m going to chalk this one up to hindsight, but I’m putting myself on notice: think more about reactions of the NPCs, and less about coming to grips with the wacky solutions players are coming up with.

Smooth Get-Away

One of the pivotal encounters the players run into early is a family that’s fleeing a party of eight kobolds. There are three kids, a wounded father, and a mother with a spear. The module says that the mother will stand her ground in sight of the players, as the kobolds close in.

This didn’t go according to any decent plan. The module states that it’s entirely possible (actually, probable) that the kobolds will see the players and assume they’re mercenaries on their side, hence ignoring them. The players can totally bluff the kobolds that this is true, allowing them to close the distance and gain Surprise for their attack. What happened, however, was that the players got trigger-happy and wanted to immediately open fire on the kobold party without taking the opportunity to realize the situation as an opportunity to position themselves for a significantly quicker take-down. I made matters worse by having the kobolds attempt to interact with the players by telling them to get lost. The kobolds were covetous of their potential victory, and didn’t want these mercenaries to interfere. The players shot back with a story about how this woman killed one of their comrades, which gave them the right to the kill. And the kobolds bought that…for some reason.

The problem is that this went off totally without verification, and without ramification. No dice were rolled to see if the kobolds believed the players; it made total sense — in some off-the-cuff kobold sociology terms — that there’s some kind of hierarchy in who gets to engage, based on grudges or something. I don’t know if that’s in-line with kobold societal lore, but I guess it is now. In hindsight, the kobolds should have just waved to the players, and then encircled the woman and her family, blatantly ignoring the players in a show of “we think you’re on our side”, allowing players to gain Surprise when they attack.

The result is that the woman and her family now thought the players were actually in league with the kobolds. Since the players didn’t make any actual threatening moves, the family bolted across the field towards the keep. The players followed at a respectable distance, but the “hook” that should have logically allowed them all to travel into the keep under the protection of a known villager turned into an awkward situation where the family ran inside, and the players crept closer, waiting to see if they’d get attacked by the archers on the walls. Because they needed to get into the keep, the archers (silently) made the assessment that this party didn’t look anything like any of the other marauders, so “what could possibly go wrong” by letting them into the keep. Ugh.

What Went Wrong

A few things could have gone better.

  1. It was our initial session, so we spent a lot of time getting a feel for the game, it’s rules, and our decisions. We opted to go with a more “cinematic” combat style over the tactical style, which turned out to be pretty good and well received. But it also resulted in some stumbling as we had to do look-ups and verification for items, spells, and activities. Standard stuff, and we’ll all get better at it
  2. We had a lot of fun playing, but I think we had too much fun. There was a lot of joking and fooling around, and while the point of playing is to have fun, I think the level of comedy was too high to allow the game to move at a pace that would have allowed for more gameplay opportunity.
  3. I made several bad decisions. The kobold costume shouldn’t have worked, and the attack on the family should have presented the players with an opportunity to take out the kobolds quickly, earn the trust of the family, and get them into the keep without the uneasy fudge that was applied.

What Went Well

  1. The 5e rules are a lot more streamlined than the 4e rules. Having a move and an action makes things happen quicker, giving everyone an opportunity to get their turn in before they get to bored.
  2. The party composition seems pretty solid. There haven’t been any opportunities for individuals to really use their characters to their full potential yet, but hopefully once folks settle in a get comfortable with their characters, they’ll find creative ways to express their classes for the good of the party.
  3. I did a little bit of pre-loading — maps into Roll20, index cards for creatures so I didn’t have to flip to pages with stats, notes on certain rolls and situations — which helped a lot, but I realize I’ll need to step up the organization for the next session to help with those on-the-fly situations that I’m not really that good at.

The Shame Of Losing And The Cult Of Winning

Here in the West, cost specifically in the U.S., viagra 40mg we value winning over pretty much anything. In any contest — sports, academic, military, and even social situations — the trajectory of progress is linear: keep your eyes on the goal, full steam ahead, and don’t let anything get in your way.

That’s what competition is about, after all. Why play if you’re not out to win? Why would you pay money to see a movie if you just plan on falling asleep? Winning at something isn’t really at issue here. Winning, coming out ahead, achieving first place…all inherently noble goals that under perfect conditions push us to do our very best and, failing that, make us want to learn more, train harder, and try again.

Trying again isn’t always an option, though, and that’s the problem. Our culture is so winning-oriented that we have effectively removed all benefit from failure. It’s become a dirty word, and a mark of shame. “You failed”. “You are a failure”. It’s one of the worst sitgma a person has to live with in modern Western society.

On one hand, we lionize winning. Our culture is seeped in messages that winning is everything: “win big or go home”. “Second place is first loser”. All sporting equipment is sold with the promise that it’ll catapult you into the winner’s circle. Watch any championship broadcast and you’ll see orchestrated images of happy winners and dejected losers. Even in the niche realm of PC components aimed at video game enthusiasts, you’ll see ads from manufacturers extorting how their products will allow you to “dominate” and “destroy your competition”.

Failure, then, is no longer defined as the position earned when the other guy did better than you. It’s now viewed as not having measured up, or that you weren’t good enough. Losers are shamed in this environment; it’s not even good enough to win. The amount of accolades a winner receives is directly related to how brutally they bury their opponent. The goal isn’t just to compete, but to brutally massacre the competition to the point where they can’t even rise again to demand a rematch.

It’d be one thing is we were just talking about sports here. After all, we’re a species that figured that putting guys with swords in an arena qualified as a “sport”, so in the Big Picture, creative camera work that highlights the happy winners and weeping losers is pretty benign. Here in the West, when winning means everything, it manages to infiltrate all kinds of places where there shouldn’t be any competition, and where there normally is, it elevates that competition to the level of a bloodsport.

The biggest ramification that I see is that it drives people apart. Everything becomes about winning, and about being right. It means that we can’t have discussions on important topics because each of us has closely held beliefs that we need to defend at all costs. Any potential point of view that could alter our personal world view would prove not that we were not right isn’t seen as an opportunity to expand our world view, but that we lost an argument and that we were wrong.

Being wrong is just as bad as losing in modern society, and the only way we can “be wrong” is if someone else is “right”, and only if both parties (if not more) are aware of it. That results in a social showdown in which one person gets to do a victory dance while the other looks foolish. On the Internet, this is magnified exponentially, and it never ever goes away. Our loss becomes institutionalized in Google’s cached page system, on Facebook, or other social network. So people do everything they can to minimize their chances of looking foolish and being branded a loser by not engaging in discussion, or, if they are pulled into it (willfully or not), the fangs come out and it’s a take-no-prisoners brawl which won’t end until one participant stomps the other into the virtual dirt.

So what are we really losing by demonizing losing? In an ideal world, the outcome of a competition isn’t the extreme polar opposite of winners and losers. It’s most honest representation is a sprint: two runners on parallel tracks, neck and neck, until one pulls ahead of the other. The loser didn’t lose because he or she wasn’t good enough; they lost because the winner was just a bit better. And there’s nothing that says that winning erases poor performance early in the game. Sometimes winning is done in the last moments of the competition, in a “come from behind” style victory we always appreciate. The point is, a winner is only the person who pushed ahead at the last minute. Before that, there’s no guarantee that the guy who’s ahead will win, or the guy who’s behind will lose.

The main benefit of losing is that we get to learn from our mistakes. In sports, performance is a big deal, and athletes take it seriously. They review hours and hours of past performance for both themselves and their competition. They learn from what they did wrong, and what their opponents did wrong, and they try and do better. This is what we miss out on when losing is equated with shame, and when the purpose of winning is to destroy the opposition so that they can’t come back and try again.

Outside of sports, though, one thing that not allowing dignity in losing is honesty. People will go to great lengths to cover the shame of losing by redirecting blame, or doubling their efforts to find an equally or more devastating attack on their opponent that will turn the tides. We aren’t allowed to own up to our mistakes because it makes us look weak and imperfect. When trying to project a persona (especially online to impress, or in politics), we can’t have any flaws. We have an idea that people will only accept us as superhuman constructs that can do no wrong. On the other hand, we’re horrified when we find out that these personas are actually human after all, as if we didn’t consciously know that already.

Most of the arguing on the Internet comes from this unfortunate situation. Being right is valued so much that being wrong is treated like a crime simply so the “winner” can feel superior and appear intelligent in front of strangers in an attempt to gain a virtual pat on the back and acknowledgement that they’re someone with good ideas and above-average intellect. By punishing the loser in a public forum, the winner shows that he’s someone you don’t want to mess with when it comes to arguing on the Internet, because he’ll destroy you and make you look stupid. It’s the modern day equivalent of kicking sand in someone’s face at the beach.

Adventure Co. Rides Again #dnd #dnd5e

The Adventure Co. is proud to announce the release of Adventure Co. Brand Adventure Company, ed Version 2.0 (formerly known by the code name Asbestos).

This season, about it we have a full roster of five intrepid souls who will be gathering before venturing forth for parts unknown, seeking adventure where it hides, and making their own when things are a little slow at the office.

The barreling freight train that is Dungeons & Dragons V, or the “5E” as it’s known on the street, is difficult to avoid. Although I was leaning towards Pathfinder originally, several factors contributed to the fact that we’ll be using the spankin’ new D&D:

  1. It’s new
  2. I bought the PHB, so I need to justify that purchase
  3. Just kidding, because the basic rules are free, and that covers most of the meat of the game, such as how to play, and character creation.
  4. It’s a hell of a lot more streamlined than Pathfinder
  5. I bought the initial adventure module, Hoard of the Dragon Queen, which should take about a year to complete.

In response to my previous post in which I asked a lot of questions (and thanks, folks, for taking the time to answer them here and elsewhere), here’s the game plan going forward:

  1. D&D 5E it is. Although I’d recommend buying the PHB (I found mine at Barnes & Nobel for 20% with their membership card) due to the completeness of it’s material for a player, the quick start rules (linked above) will allow you to create a character and get a general feel for the new systems in the game, like Advantage/Disadvantage and other cool stuff.
  2. We’ll be using the Hoard of the Dragon Queen because it’s designed for levels 1-8, and removes the ramp-up time needed to create something from scratch. It should be well balanced and fun to play, with all the typical D&D-y type stuff we know and love.
  3. Because 5E is decidedly untactical, I believe the only features we need in an online space are voice and a way to share images. That makes the Official Virtual Tabletop of Adventure Co. Brand Adventure Company, Version 2.0 (formerly know by the code name Asbestos). R20 has VoIP and webcam support (cam is really optional, and I think you can turn it off individually) as well as the ability to load in images like maps. The maps will be mostly for informational purposes, and not for tactical gameplay, although there might be times when tokens are used just to provide info.
  4. It seems that weekly, Thursday nights around 9PM Eastern is the best time for folks, so we’ll aim for that. As before, we can close the night by ensuring that the next Thursday is good for everyone, and if not, finding an alternative night for the next week that might work better (Thursday will be the “home” night that we’ll default to, in any case).
  5. I’d like to have an online version of the character sheets, simply because of the way passive abilities work (a flat 10 + applicable bonuses). As the DM would be rolling those passives and handing out info, having people’s sheets handy would be massively beneficial. However, I haven’t found a decent online sheet.
  6. In AC1.0, the group’s scribe (Tipa) kept a log of the adventure on her blog, which was both informative and entertaining. I floated the option of using Obsidian Portal for a similar purpose, as it has space for player logs (recaps), very rudimentary character sheets, document library (for storing images), and also a forum. In order to facilitate between-game communications when necessary, I like the idea of using OP’s forums, although any ideas for alternatives are welcome. We also used G+, but I don’t know if everyone is/willing to be there.

I think that’s it for now. In the meanwhile, study up on the PHB or the basic rules PDF. If desired, we can convene for an initial online meeting on an upcoming Thursday to work on character creation. I’d really like to have people go the distance when creating characters, especially with the new focus on “creating the character” over “assigning numbers”, because the RP elements assigned to the character, and the Inspiration system, will help make the game more personal for each player.

So You Want To RP-A-G? A Few Questions For Those Interested

I’ve been cooking up a small intro adventure that a new group can stumble through. It’s literally a stumble-through adventure: short, cost light on story, order but serves two important purposes. First, see it gets people together to hash out characters and back stories and to learn the ropes of the game system and how to play together. Second, although the adventure isn’t really anything to scribe home about, I’ve got a really decent idea of how it’ll open doors for further adventures.

The Call To Arms

Want to play? Many do! Sadly, I think the limit for participation will have to be capped at 5 people, max. Maybe six, if that was all who expressed interest, but as of right now, I have three pretty sure buy-ins, one fringe interest, and some other rubbernecks who have responded to a general shout-out this afternoon, and that’s only on one social network that’s been kind of slow today.

In the interest of getting on the same page (and helping folks decide, and helping me help you, etc), I wanted to put forth what I have been thinking about, and collect info on what works for people.

1. System

I’ve been leaning towards Pathfinder because A) a lot of people like it, and B) it’s free! But the setting doesn’t really much matter to me, personally. I know some people love/hate D&D 4E. The 5E PHB was just released (don’t have it yet, myself), but lacks DM and monster info.

There are other systems as well. My current idea is rather high-fantasy focused, but if people had a burning desire to really play another system, concessions could be made. It’d have to be back-to-the-drawing-board time, however, to come up with new materials.

If you’re interested in playing, what system would you like to use? Which system would you NOT like to use?

2. Venue

The “how” is probably the second first most important question.

We’ve played with Fantasy Grounds and R0ll20. Both are great tools. FG is normally pay-to-play, but I have the Ultimate License which allows the “demo” version to connect to my server and play like a paid version, so folks would just need to download and install it. Roll20 is, of course, web-based, with built in VoIP and webcam support. Both systems allow for handout sharing and drawing. Roll20 is pretty free-wheeling while FG has some pretty robust tools that help streamline the numbers game.

I personally prefer to play this round as non-tactical as possible, returning to the days of “making shit up” and not worrying so much about drawing out encounters by worrying about where you are exactly on the map. Maps will be used, but primarily to give folks an idea of what a room looks like, or as something that can be pointed to when saying “I move here”, or to give really vague ideas of how many things remain to be killed.

I’m also looking at Obsidian Portal as the “official” record-keeper of the game. Having a player log and an institutionalized recap is pretty new to me, but I’ve looked through stuff that people have done on the site, and it’s pretty intriguing. OP allows players to keep their own notes and recaps, enter their characters, and to have discussions during, before, and after the game. And it allows the DM to load up the wiki with lore and important information that “fleshes out” the game world.

What “venues” would you prefer/be willing to use? Which venues would you like to avoid?

3. Scheduling

Plain and simple: What kind of schedule can people pull off? We had previously played one night per week, but we’re adults and have lives and responsibilities and sometimes even once a week is asking a lot. We should, however, make a decent effort to not commit to a “seat of the pants” style game, in order to maintain momentum and to keep last session’s knowledge somewhat fresh in our minds.

What would work for you in terms of scheduling, days and times?

If you’re interested in joining the Adventure Co., Brand Adventuring Company, please shout out in the comments, ping me on Twittah, or leave a comment in the vile cesspool that is Google Plus. Ideally, you’d comment here and answer the above questions, so we can get a good idea of what people are looking for, where, and when we can find it.

Questions For the DM Community #RPG

Some Background

I’m an organization freak when it comes to working on my RPG stuff. As much as I like the old school method of pen and paper, look the convenience of electronic formats really can’t be beat. There’s a few tools out there that I’ve used from a DM perspective, health like Fantasy Grounds and Obsidian Portal, ailment but they were either installable apps or didn’t cater specifically to the DM planning process.

This project is a website which will focus on allowing DMs to plan and write up their campaigns and adventures, to run them from the site, and to share them with the community.

Where It’s At Right Now

I’ve got the user registration/login/logout/profile stuff working, although there’s some gaps. It’s got enough to get people into the system, although it’s not pretty. The next step in this rapid-fire development scheme is to allow users to create their campaigns, modules, and pages so I have more data to work with.

Thing is, I know what I think I should have when working on these elements in a finished product, but that’s not necessarily what others would consider necessary when working with these elements. So I’ve got some questions for the DM community (regardless of whether or not you see value in a project like this) that will help in creating this tool.

Right now, I’m looking for input on defining the campaign, module, and page.

Planned Organization Scheme

The current plan for the tool is to organize data in a Campaign > Module > Page hierarchy. A Campaign is like an overarching event, or even a game world. Modules are individual adventures that take place within that arc or world. Pages are the “scenes” within an adventure (Kobold cave, chase through the market square, etc).

Ancillary to that will be data buckets, created at the campaign level, for Handouts, NPCs, Maps, Treasure Parcels, and Encounters. Once these ancillary items are defined, they can be assigned to the Pages where they are used. They can be re-used on as many pages as needed.

Questions for DMs

Since the idea for this DM tool is to put it out there for people to use, I figure that the best way to pique folk’s interest is to get feedback from folks whom I hope will consider using the tool when it’s launched. If you’re a DM (of any game system), please take a few minutes to drop a line in the comments about these questions:

  1. If you had to summarize an original Campaign you were creating, what info would you expect to provide (Title, synopsis, etc)?
  2. What kind of info would you use to define a Module?
  3. What kind of info would you need when working on a “scene” or “area” Page?

In Other News: Finding a Home

To be honest, I thought the “code name” I’ve been working under would be pretty good for the site, which means I would be almost guaranteed that the domain name would be taken.

Turns out, it’s not! But I’m not going to reveal it until I can get the cash to buy it, so some random jerk doesn’t swoop in an snag it before I get there.

In the meanwhile, I’m considering setting up a dedicated site for this project, since it’s moving at a pace that provides me a lot of things to talk about, and because this is technically a video game blog. If I opt for this route, I’ll register the domain, then create a new site under that URL for the time being, until the site is ready for public testing.

Bonus Round: Virtual Audio And OBS

Last night I jumped into TeamSpeak to find Blamefulgecko hanging out in the lobby. I warned him that I was going to start streaming some Final Fantasy XIV, shop and that any conversations we might have would end up being broadcast to the world (and by world I mean myself, as my monitoring of the channel was the only registered viewer).

Turns out my voice was just fine on the recording, but Blame’s was almost inaudible. Technically, this was a “good thing”, as it kind of means that I can be in a channel with someone and they can yell all they want and they won’t be heard in the stream. But on another hand, it might be cool to hear what other people are talking about. Come for the game, stay for the colorful commentary, as it were.

This was a dark path to turn to, because it involves installing…virtual audio cables. Let’s discuss.

What the F**k is a Virtual Audio Cable?

It’s what it sounds like: a virtual audio cable. Normally, your sound is routed from it’s source — a game, or TeamSpeak — to a destination — your desktop speakers, or OBS — via Windows Audio or dedicated drivers. The source usually just uses whatever is marked as “default output” in your audio properties, although TS allows you to route output to any qualified device driver. OBS, in turn, can pick up any qualified device driver to receive.

The problem is that you, the user, have very limited control over this. You can pick an output path from one side, and an input path from another, and that’s about it.

A virtual audio cable is just another path, but it allows you to circumvent the usual path. Why, you ask? This will allow you to free up the usual path for other audio, and gives you more control.

The Free And Easy Path Of VoiceMeeter



In looking at VAC’s, I happened across an app called VoiceMeeter. This gem is a virtual mixing board, which turned out to be almost exactly what I wanted.

VM has three inputs, and two outputs. Two of the inputs are physical, like two headsets or a headset and a webcam mic, connected to the same PC. The third input is virtual, which means “software”. This would be your desktop audio player or TeamSpeak. The outputs consist of one physical, like a headset or desktop speakers, and one virtual, which is a source that an app like OBS can use for its input stream.

I mean, that pretty much sums it up right there.


After installing VM, I rebooted all audio using apps. In VM, I set the first physical input to be my Pysko headset mic (aka High Definition Device). I didn’t want a second physical input, so that was blank. The virtual input was set to the ASIO (Audio Stream Input/Output) option, which is just a general sound card driver, and the only option I had.


Teamspeak settings

Next, I set the A channel output to be Creative ASIO, which is kind of a default, and the source of contention which we’ll get to later. I set the B channel to use the Psyko headset.

In TeamSpeak, I set the Playback Playback Device to use the new VoiceMeeter Input, which tells TS to send it’s output to VM’s virtual channel.


OBS settings

In OBS, I set the Microphone/Auxilary Audio Device to use the VoiceMeeter Output, which tells OBS to receive it’s audio from VM’s virtual channel.

The idea, then, is that TS’s audio — other people — will mix with my headset mic through VM, which outputs the audio through a virtual channel and into OBS’s microphone input channel. Ideally, everyone who talks on TS will have their voices merged with my microphone voice, and that mix will be broadcast to the world.

We Do Not Welcome Your Feedback

The thing is, it worked great! The setup achieved everything that I had hoped to achieve. But there was a slight — yet still annoying — issue.

I like to have my chat audio in the headset, and my game audio through the desktop speakers. I couldn’t achieve this. Now, my own voice was piped through the headset, and the TS audio was piped through the headset and the desktop. When playing a game, that would mix the game audio with voice chat, which is unacceptable.

believe the issue is with the ASIO driver. From what I can gather, this is a generic driver that is used by many things. When selecting ASIO as a physical output, it outputs to all ASIO-using devices. For me, this is the headset and the desktop system. So when everything is routed to the ASIO output, it’ll ooze out of any ASIO connected device. I’ve found that I can mute my own headset so I don’t have to listen to myself, but I can’t stop the TeamSpeak audio from broadcasting through two devices.


I don’t know if what I’m trying to do here is actually worth the issues. For one, it’s simply to give stream viewers something additional to listen to, which takes the burden off of me to provide a running commentary. On the other hand, it’s not always a given that folks in TS are going to want to be part of the stream. Another alternative, I suppose, is to have one physical mic for TS (the headset), and one physical mic for the stream (a webcam). This would sound strange to viewers of the stream, since they’d hear me responding to people that they can’t hear, but it would provide maximum anonymity for TS users who don’t want to be heard on screen.

Guardians of the Blockbuster

So back when Guardians of the Galaxy was first announced via trailer, prostate I looked at it and said to myself: “What the fuck is this?” I’m admittedly not a back-catalog comic person; my specialization is in video games, generic which means most of my comic book franchise knowledge comes from games and any movies that get decent recommendations. That put GotG way out of my sphere of knowledge.

The movie looked a bit too weird. It had a sentient tree, sildenafil a talking raccoon, and was way more sci-fi than the general public is used to. Most of what passes for sci-fi these days is mostly a technological veneer slapped over a heavy allegory for trials and tribulations of humanity, but this movie was 200% pure unadulterated science fucking fiction. I thought that it might be too out there for general consumption.

Holy shit was I wrong. I’m not a pop-culture barometer by any stretch, but it seems to me that the biggest hurdle to the movie’s success would be convincing the general public that it was totally within their wheelhouse to see, and that it wouldn’t go over their heads, confuse them, or insult them with…you know…talking vermin. The marketing blitz for the movie started way back with the post-credits teaser from Thor 2, and simply gained steam over time with increasingly frequent commercials and reveals. Suffice to say, Disney is one part content producer, three parts marketing savant. When the movie premiered, people were ready for it. Some probably wanted to see it for the source material, some because they like and trust Marvel franchises, and some because it was a summer tent-pole movie and they simply couldn’t refuse.

This is a fun movie, which I think comes through in the commercials. What doesn’t come through is how dense the movie is. I don’t mean dense in terms of intelligence; I mean that I don’t think there was a scene which didn’t matter to the movie. There were no “bathroom moments”.

The only gripe I might levy is that the movie is too well constructed for this Internet age of “been there, done that”. Wisecracking anti-hero? Check. Strong but chilly female? Check. Assorted misfits? Check. Generic rage-container big bad buy? Check. There were moments of deviation, though, especially when the talking raccoon has an emotional breakdown after we got used to him being a total douche-bag. For me, the highlight of the movie was Karen Gillan, better known around these parts as Amy Pond from Doctor Who, who did a total 180 to play a psychotic killer cyborg. She didn’t get a lot of screen time, but when she did, you knew it.

There aren’t too many movies these days that I think deserve repeated viewings, especially not at theater prices, but I think GotG qualifies easily. Kudos to James “Who?” Gunn for out-blockbustering Joss Whedon (Oh yes I did!) in the Marvel space. Super kudos to the FX team. This is one of the most FX intense movies I’ve seen in a while, and the effects meshed so well with the movie that there was never a point where they overwhelmed the actors, or underwhelmed when they were needed the most. And mega kudos to the cast. At the end of the day, there wasn’t a meh-character in the bunch. Everyone got sufficient screen time (except Gillan, IMO) which set up their presence and ingrained them into our pop-culture consciousness in preparation for the sequel, and the inevitable theater-destroying Marvel implosion that brings all characters from all of these movies together in one, massive finale.

Cartogo…Cargro…Making Maps; GM Tool; Wolves At The Gate

Cartogo…Cargro…Making Maps

I started working on a relatively small, drugs intro adventure for Pathfinder because several folks in the ‘Sphere expressed an interest in possibly doing another online RPG session. This time, sickness the game will be significantly different from our last Adventure Co. excursions. First, it’s a different system. Pathfinder can be had for free, so no one has an excuse not to join (although time is still way overpriced). Second, no fucking tactical crap. Eh…That came out wrong: there will be no tactical combat this time around. It’s not a style from my heritage, and while it’s kind of a breather from having to think on my feet, it’s got a lot of baggage involved that just doesn’t do it for me. Other folks who expressed interest seemed to feel the same.

However, maps still have a place in the game. Maps and handouts are as old as dirt in these games (considering the amount of time the party spends in caves and crypts, that’s saying a lot) and help give the players a sense of perspective and scale. They’re also good reference materials for the players and the GM. Although tactical combat uses maps for things like distance and positioning and cover, some of those things need to be taken into consideration in the more free-flowing conceptual combat style. Cover especially. Knowing where on the map something is to hide behind — or if there’s anything at all — is important. Plus, having overland maps, and maps for exploration and back-tracking purposes is important. Maybe there’s a way I could get players to draw a map on-screen as they progress…Hmmm…It would have to persist through sessions, though. I’ll have to look into that.

I’ve been trying to create some maps, but if there’s one thing I’m not all that good at, it’s balancing spinning plates. Making maps is a close second. Making maps that look decent and won’t embarrass my lineage for the next thousand years is right up there as well. I’ve joined a map making group on G+ (shut up) and some of the work people can do is absolutely stunning. I could get a five year old a box of crayons and it would probably be better than what I could come up with. I’ve tried using tools like Campaign Cartographer and any number of others that are out there, but stuff usually ends up looking like ass, and I end up fighting the program’s learning curve most of the time. I figured that I could just hand-draw some stuff, scan it, or maybe use my dusty old Wacom Bamboo tablet to create stuff in Photoshop. I’ve got some online resources to help me learn how to make stuff suck less, but I also don’t want this to become a full time job.

GM Tool

Work on my GM tool project is coming along…slowly. I decided to go with a technology that I wasn’t fully familiar with, and that’s proven to be tedious in the face of the ideas that are getting backed up like the line at your local DMV. After some frustration, however, I had an epiphany that allowed me to plow through the difficulty and make decent progress.

Right now, the administration of one’s own profile is complete, with the exception of managing a subscription. This includes viewing your profile, changing the changeable information, and resetting your password (if you opt to use local authentication and not a third party, which isn’t going in any time soon).

The next part is the actual local registration, log-in, and user persistence functionality. The user is the root of the whole process, as campaigns, modules, pages, and all of the little stuff it ultimately tied to individual user records, so being able to get noticed by the site is kind of important.

Wolves at the Gate

In non-gaming news, my daughter is obsessed with wolves. She has it in her head that she wants to run or at least work at a wolf sanctuary when she is old enough. She also wants to be a veterinarian.

This weekend, we went down to Ipswitch, MA to visit the Wolf Hollow Wolf Sanctuary. It’s a small place, run from someone’s home but fully up to code and legal. They have 8.5 wolves on the premises, with the 0.5 wolf being a hybrid wolf-dog that was taken from a three room apartment, and which is illegal to have as a pet in MA. This is not a rehabilitation operation; it’s a non-profit educational and care facility. The presentation that the owner gave was excellent, and focused a lot on conservation and on dispelling the the myths that surround the wolf.